About: ALIVE is an applied research project that aims to make it possible to create immersive Virtual Reality experiences that use live action video, by using lightfield capture technology to give a much more realistic appearance and sense of immersion than is currently possible.
The project will result in new algorithms and methods, incorporated in advanced software prototypes and demonstrated in a short experimental production. We will develop new ways of accurately tracking moving multi-camera lightfield rigs; representing, editing, post-producing and streaming immersive light-fields; and rendering the results as free-viewpoint video with true parallax to support viewer head movement, in real time, to consumer headsets.
The project consortium is made up of a leading medium-sized visual effects software developer (The Foundry), an SME creative production company specialising in VR experiences (Figment Productions) and a leading research centre specialising in multi-view data capture and processing (University of Surrey).
My Role: Visual effects supervisor and Nuke/CaraVR compositor.
Alive Production - Behind the Scenes
Test shoot at Kew Gardens with the Nokia Ozo, December 2016.
Test shoot at Kew Gardens with the Google Jump rig, December 2016.
About: Opened in summer 2016 at Thorpe Park resort in the UK, this one of a kind experience crafted by the master of mind control, DERREN BROWN, is the world's only fully immersive psycological attraction designed to manipulate the human mind!
My Role: I worked in-house as a member of the very talented Figment Productions team, from pre-production filming tests to final on-site grading and compositing. My roles included on-set filming and VFX supervision, photogrammetry, 3D animation, motion graphics, and compositing.
Key sequences I was responsible for include VFX and compositing of the pre-show experience; editing, stereoscopy, VFX and compositing of the first stage and stereoscopic 360 stitching, VFX and compositing of the third (and final?) stage.
Derren Brown's Ghost Train THORPE PARK Resort TV Advert
Derren Brown's Ghost Train: Rise of the Demon Test Trials
We tested out our brand new terrifying VR scenes for Derren Brown's Ghost Train: Rise of the Demon on some of the UK's most fearless people.
**Warning - NSFW** They swear. Lots.
Derren Brown's Ghost Train: Rise Of The Demon sneak peek
The first riders on board Derren Brown's Ghost Train: Rise Of The Demon react to a new terrifying journey!
THE SECRET IS FINALLY REVEALED - Derren Brown's Ghost Train Arriving Spring 2016
About: Initially aired during the 2010 NFL Super bowl, this commercial for The Wizarding World of Harry Potter featured totally immersive CGI that lets viewers feel like they are actually riding a broomstick through Hogwarts with Harry Potter himself! The Wizarding World of Harry Potter opened in late Spring 2010 in the Islands of Adventure theme park at the Universal Studios Orlando Resort.
My Role: Matchmove, keying, compositing, CG people. I also contributed to some of the texturing and lighting set-ups.
The Wizarding World of Harry Potter Super Bowl Commercial
About: This audio-visual experience, situated in the Watergate Tower of Warwick Castle, educates visitors about the history of the castle. We filmed more than 30 actors and three ravens in Figment's in-house green-screen studio to help tell this epic story.
A projection mapped model of the castle accompanies the visuals in room two of the experience and is used to demonstrate the castle’s evolution. The final room contains a wall of talking portraits of the famous faces who owned the castle through its colourful history.
My Role: Working in-house at Figment Productions, my roles included location shooting, on-set VFX supervision, 3D animation, tracking and compositing. Key sequences I was responsible for included castle deconstructions, characters aging & disintegrating and a 12th Century castle siege involving hundreds of soldiers.
The Making of Time Tower at Warwick Castle
Click to play video
Behind the scenes, filming "The Kingmaker"
Neil, one of three amazing ravens used in filming, takes flight across the in-house green screen studio at Figment productions.
About: This is just a small sample of the work created for American Airlines for their 2012 re-brand and beyond. The work included the production of images for brochures and posters, interactive online cabin fly-through's, stereoscopic 3D cinematic presentations and interactive stands & touchscreens.
My Role: I was responsible for the majority of the 3D animation, lighting, rendering & compositing.
My Role: I was originally commissioned to write a six-page tutorial (Creating a flexible stereoscopic 3D rig in After Effects) for the December 2009 issue. Off the back of that, I was offered a role answering readers questions in the monthly 'Q&A' section of the magazine. This would entail:
• Choosing a relevant question sent in by a reader or from the 3D World forums. • Writing a half page, 400 word article that answered the readers question. • Creation of all assets required to follow along with the tutorial. • Recording a video tutorial to be included on a CD accompanying the magazine.
I also wrote a six issue 'Render Pass Fundamentals' series, consisting of monthly full page articles, renders and video tutorial.
Render Pass Fundamentals Part 1
Create a time tunnel effect in After Effects
Andy Davenport explains how to composite a time tunnel effect in the style of the Dr Who title sequence.
Create a time-lapse cloud sequence in After Effects
Andy Davenport shows how to generate a moving sky backdrop within After Effects.